Eyedea and Abilities - Editorial Reviews
Dusted Magazine
Eyedea and Abilities have plenty of
each, which makes them one of the most creative acts in mainstream
underground hip hop. On their second record, E&A, the duo continues
to do what they do best: set up a standard (that old, 'hip hop is
tired, MCs is weak' bit) and then knock it down. Their formula is
relatively simple: showcase the MC, then showcase the DJ, then showcase
the both of them together. Then repeat. For the most part, it works.
What keeps E&A above the fold is variation rather than
innovation. Musically, this record is all over the place. It's a sound
collage with a variety of musical textures: plenty of samples (from
movies to hip hop classics), kooky interludes a la Kid Koala, sudden
jumps into double time, long scratching sessions, even just plain
rapping. In Abilities' production you can feel the influence of both
his battles at the DMC regionals and his work scratching on El-P's
Fantastic Damage. He does a particularly excellent job of containing
Eyedea, who might otherwise bring too much party to the party. Just
when you start to feel bogged down with Eyedea's often grating voice, a
long montage of scratches or classical music or a sample from Todd
Solondz's Storytelling breaks up the monotony. Abilities even cuts
Eyedea's voice into scratches, one obvious yet fruitful innovation that
most hip hoppers rarely attempt.
Have no fear though, E&A is all about ego, and Eyedea gets to
do his thing. When the beat suddenly doubles, our MC demonstrates an
admirable staccato breath control, mimicking the scratches of the DJ,
like trading fours in jazz form. He's got the gift of gab, and like
most MCs he seems to be talking to himself as much as his audience,
puffing himself up, manifesting the necessary braggadocio. The lyrics
aren't exactly from the Compton streets, but they aren't hokey J5
positive shit either. There's just enough poetry about Eyedea's love
psychoses and his 9-to-5 angst to keep it fresh. Indeed, Eyedea seems
to have listened to his label boss Slug quite a bit: long breaths
followed by short ones; echoed themes of bitterness, loneliness, lost
love; an innate ability to tell a story; even the basic tone of his
voice; it all mimics Mr. Daley.
Rather than exploding the hip hop genre, Eyedea and Abilities have
chosen to be as creative as possible within it. There aren't that many
pairs of one DJ and one MC left in hip hop, and these two bounce off
one another as well as any duo currently working the circuits. Eyedea's
style may alienate some, and Rhymesayers could do much worse than to
release Abilities' beats sans vocals.
www.alternativepress.com
Meet the Shaq and Kobe of underground hip hop - excpet they're on good terms.
It begins with battle-champion MC Eyedea understating, "E&A in the house, bringing you some of that good hip-hop music."
With turntablist Abilities supporting Eyedea's silvery-tongued
verses that braid braggadocio with thoughfulness, E&A renovate the
old school with quirky inventiveness and audacious skills. Abilities
fuses skewed funk beats with elastic jazz bass lines and effusive piano
motifs that keep your noggin noddin' while spicing up things with
warped instrumentation and wild-ass scratches. Over the disc's 13
tracks, Eyedea's flow changes up as often as Abilities'
always-fascinating sample collages. And on "Man vs. Ape," the duo
conduct the finest creation/evolution debate ever waxed on a hip hop
release.
